Fundo SC117 - David Brown Milne fonds

Zona do título e menção de responsabilidade

Título próprio

David Brown Milne fonds

Designação geral do material

  • Mútiplos suportes

Título paralelo

Outra informação do título

Título(s) de declaração(ões) de responsabilidade

Notas ao título

Nível de descrição

Fundo

Entidade detentora

Código de referência

CA ON00012 SC117

Zona de edição

Declaração de edição

Declaração de responsabilidade da edição

Zona de detalhes específicos de materiais

Declaração de escala (cartográfica)

Declaração de projeção (cartográfica)

Declaração de coordenadas (cartográfica)

Declaração de escala (arquitetural)

Autoridade emissora e denominação (filatélica)

Zona de datas de criação

Data(s)

  • 1899-1975 (Produção)
    Produtor
    Milne, David

Zona de descrição física

Descrição física

781 sketches
100 watercolours
87 cm of textual records
34 photographs
5 sketchbooks
1 easel
1 paint box

Zona dos editores das publicações

Título da editora

Títulos paralelos das publicações do editor

Outra informação do título das publicações do editor

Declaração de responsabilidade em relação à série editora

Numeração das publicações do editor

Nota sobre as publicações do editor

Zona da descrição do arquivo

Nome do produtor

(1882-1953)

História biográfica

David Brown Milne (Burgoyne, Ontario 1882 – Bancroft, Ontario 1953) was a painter and etcher; he is widely considered to be among the most outstanding Canadian artists. He worked as a schoolteacher before deciding to study painting in New York where, in 1903, he enrolled in the Art Students’ League. Milne supported himself through commercial artwork but actively and successfully developed his own painting, exhibiting five canvases in the famous Armory Show of 1913. His friends during this period included James (“René”) Clarke, with whom he maintained a correspondence for many years. In 1916, Milne and his wife Patsy (née May Frances Hagerty), whom he had married in 1912, left the city and settled in Boston Corners, New York. In late 1917 Milne joined the Canadian army as a private, and in 1918 was appointed as a war artist to record the locations of battles that had involved Canadian troops. Milne returned to Boston Corners in 1919, where he spent most of his winters until 1928, summering in the Adirondacks. He moved to Ottawa for one year in 1923, when the National Gallery of Canada bought six of his watercolours. In 1928, Milne moved permanently back to Ontario (he separated from his wife in 1933), spending extended periods of time alone in the wilderness regions north of Toronto. Palgrave, a short drive from Toronto, became Milne’s home from 1930 to 1933, and from 1933 to 1939 he lived in a cabin on Six Mile Lake near Georgian Bay. He maintained an interest in the Toronto art scene and developed a small group of patrons including Alice and Vincent Massey, and Douglas Duncan of the Picture Loan Society, who acted as Milne’s agent and dealer for many years. He met his second wife Kathleen Pavey in 1938 and lived with her from 1939; their only child David Jr. was born in 1941. The Milnes lived in Uxbridge from 1940 to 1946. From 1947 Milne lived and worked at Baptiste Lake, with Kathleen and David Jr. joining him periodically. As Milne’s health deteriorated, the family moved to Bancroft to be closer to Baptiste Lake. Milne died at Bancroft in December 1953. His work is represented in numerous public collections, notably the National Gallery of Canada, the Art Gallery of Ontario, the McMichael Canadian Art Collection and the Winnipeg Art Gallery.

História custodial

Material in this fonds was inherited by David Milne, Jr., who donated it to the AGO.

Âmbito e conteúdo

Fonds consists of the personal and professional records of David Brown Milne, including correspondence with friends, patrons, family and his dealer; diaries and similar writing; documentation of Milne’s military service; designs for Canadian flags; cancelled watercolours; sketches and sketchbooks.
Contains series:

  1. Correspondence sent by David Milne, including drafts of letters
  2. Correspondence received by David Milne
  3. Diaries and other writings by David Milne
  4. World War I documents
  5. Douglas Duncan and Picture Loan Society documents
  6. Maps of potential painting locations
  7. Publicity material
  8. Documents relating to Vera Parsons and 1963 court case
  9. Canadian flag drawings and designs for Studio Magazine cover
  10. Cancelled watercolours
  11. Baptiste Lake sketchbooks
  12. Personal effects
  13. Sketches

Zona das notas

Condição física

Fonte imediata de aquisição

AGO Credit Line: Gift of the Milne Family Collection, 2009.

Organização

The series arrangement is based on material, functional and thematic groupings of records.

Idioma do material

  • inglês

Sistema de escrita do material

    Localização de originais

    Originals of letters to David Milne from James (“René”) Clarke are to be donated to Library and Archives Canada.

    Disponibilidade de outros formatos

    Restrições de acesso

    Open. Access to the Special Collections is by appointment only. Please contact the reference desk for more information.

    Termos de uso que regem, reprodução e publicação

    David Milne’s copyright in this fonds is maintained by the David Milne estate. Copyright belonging to other parties, such as that in received correspondence or photographs, may still rest with the creator(s) of these items. It is the researcher’s responsibility to obtain permission to publish any part of the fonds.

    Instrumentos de descrição

    Materiais associados

    Library and Archives Canada has an extensive David Brown Milne Fonds.

    The David Silcox – David Milne Collection, also at this repository, contains the research records for the publication David B. Milne: Catalogue Raisonné of the Paintings (University of Toronto Press, 1998), including photocopies of much of Milne’s correspondence.

    Materiais relacionados

    Incorporações

    No further accruals are expected.

    Accompanying material

    A number of works on paper by David Brown Milne were acquired by the Art Gallery of Ontario at the same time as the fonds, and are in the gallery’s Permanent Collection. Please ask the archivist for assistance in identifying these works.

    Identificador(es) alternativo(s)

    Número normalizado

    Número normalizado

    Pontos de acesso

    Pontos de acesso - Assuntos

    Pontos de acesso - Locais

    Pontos de acesso - Nomes

    Pontos de acesso de género

    Zona do controlo

    Descrição do identificador do registro

    Identificador da instituição

    Art Gallery of Ontario

    Regras ou convenções

    Estatuto

    Final

    Nível de detalhe

    Parcial

    Datas de criação, revisão ou eliminação

    August 9, 2013

    Idioma da descrição

    • inglês

    Sistema de escrita da descrição

      Fontes

      Área de ingresso