Área de título y declaración de responsabilidad
Título apropiado
Tipo general de material
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
Nivel de descripción
Institución archivística
Código de referencia
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
-
1974-1985 (Criação)
Área de descripción física
Descripción física
165 cm of textual records
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Historia biográfica
John Faichney is a Canadian dancer, television producer and software analyst born in Montreal in 1952. He graduated from Oberlin College where he developed an interest in choreography and dance improvisation. In May 1976 he performed at the Centre for Experimental Art & Communication (CEAC) in Toronto and was invited to join the Centre’s staff. Amongst other activities, he designed printed matter, maintained exchange programs with other artists’ groups, curated an exhibition of artists’ books and managed distribution of mailings and periodicals (including Strike, a quasi monthly newspaper.) An offshoot of the Kensington Art Association, CEAC moved in 1976 to 86 John Street and then to 15 Duncan Street, offering space for performance art, installations, videos and music. Key members of the group were Amerigo Marras, Suber Corley, Bruce Eves and Ron Gillespie (a.k.a Ron Giii); Marras in particular encouraged connections with European and American artists. The group became increasingly politicized and in 1978 its government funding was rescinded. An attempt at self sufficiency by starting a television production studio at 124 Lisgar Street was not sustainable and CEAC disbanded in 1980. John Faichney lives in Kitchener, Ontario, and remains involved with Contact Improvisation.
Historial de custodia
The material comprising this fonds was maintained by John Faichney until 1995 when it was acquired by the Art Gallery of Ontario.
Alcance y contenido
Fonds consists of printed and manuscript material accumulated by John Faichney during his years as an artist involved in the KAA/CEAC collective. Publications originating with CEAC, issues of Canadian and international periodicals, posters, samples of letterhead, exhibition catalogues, the original typed manuscript of an international symposium, and book materials are included. Fonds is comprised of the following series: 1. Kensington Art Association and CEAC 2. Periodicals and books
Área de notas
Condiciones físicas
Origen del ingreso
The fonds is the gift of John Faichney in 1995.
Arreglo
Idioma del material
Escritura del material
Ubicación de los originales
Disponibilidad de otros formatos
Restricciones de acceso
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Condiciones de uso, reproducción, y publicación
Various copyright holders. It is the researcher’s responsibility to obtain permission to publish any part of the fonds.
Instrumentos de descripción
A finding aid is available for this fonds.
Materiales asociados
A Space fonds; Mercer Union fonds.
Acumulaciones
No further accruals are expected.