Zone du titre et de la mention de responsabilité
Titre propre
Dénomination générale des documents
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
Niveau de description
Cote
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
1974-1985 (Production)
Zone de description matérielle
Description matérielle
165 cm of textual records
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
John Faichney is a Canadian dancer, television producer and software analyst born in Montreal in 1952. He graduated from Oberlin College where he developed an interest in choreography and dance improvisation. In May 1976 he performed at the Centre for Experimental Art & Communication (CEAC) in Toronto and was invited to join the Centre’s staff. Amongst other activities, he designed printed matter, maintained exchange programs with other artists’ groups, curated an exhibition of artists’ books and managed distribution of mailings and periodicals (including Strike, a quasi monthly newspaper.) An offshoot of the Kensington Art Association, CEAC moved in 1976 to 86 John Street and then to 15 Duncan Street, offering space for performance art, installations, videos and music. Key members of the group were Amerigo Marras, Suber Corley, Bruce Eves and Ron Gillespie (a.k.a Ron Giii); Marras in particular encouraged connections with European and American artists. The group became increasingly politicized and in 1978 its government funding was rescinded. An attempt at self sufficiency by starting a television production studio at 124 Lisgar Street was not sustainable and CEAC disbanded in 1980. John Faichney lives in Kitchener, Ontario, and remains involved with Contact Improvisation.
Historique de la conservation
The material comprising this fonds was maintained by John Faichney until 1995 when it was acquired by the Art Gallery of Ontario.
Portée et contenu
Fonds consists of printed and manuscript material accumulated by John Faichney during his years as an artist involved in the KAA/CEAC collective. Publications originating with CEAC, issues of Canadian and international periodicals, posters, samples of letterhead, exhibition catalogues, the original typed manuscript of an international symposium, and book materials are included. Fonds is comprised of the following series: 1. Kensington Art Association and CEAC 2. Periodicals and books
Zone des notes
État de conservation
Source immédiate d'acquisition
The fonds is the gift of John Faichney in 1995.
Classement
Langue des documents
Écriture des documents
Localisation des originaux
Disponibilité d'autres formats
Restrictions d'accès
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Délais d'utilisation, de reproduction et de publication
Various copyright holders. It is the researcher’s responsibility to obtain permission to publish any part of the fonds.
Instruments de recherche
A finding aid is available for this fonds.
Éléments associés
A Space fonds; Mercer Union fonds.
Accroissements
No further accruals are expected.