Fondos SC107 - Jules Wegman collection

Área de título y declaración de responsabilidad

Título apropiado

Jules Wegman collection

Tipo general de material

    Título paralelo

    Otra información de título

    Título declaración de responsabilidad

    Título notas

    Nivel de descripción

    Fondos

    Institución archivística

    Código de referencia

    CA ON00012 SC107

    Área de edición

    Declaración de edición

    Declaración de responsabilidad de edición

    Área de detalles específicos de la clase de material

    Mención de la escala (cartográfica)

    Mención de proyección (cartográfica)

    Mención de coordenadas (cartográfica)

    Mención de la escala (arquitectónica)

    Jurisdicción de emisión y denominación (filatélico)

    Área de fechas de creación

    Fecha(s)

    • 1865-1867 (Criação)

    Área de descripción física

    Descripción física

    45 drawings on paper

    Área de series editoriales

    Título apropiado de las series del editor

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    Declaración de responsabilidad relativa a las series editoriales

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    Nota en las series editoriales

    Área de descripción del archivo

    Nombre del productor

    (1865 - 1931)

    Historia biográfica

    Jules Frederic Wegman was born in Neuchatel, Switzerland on 14 July 1865 and received his early education there. He came to the United States with his father Julius, also an architect, at the age of ten years and trained with him. At one point he was sent to Jerusalem to measure the city and its buildings, and his drawings were used to reproduce the city at the Worlds’ Fair at St. Louis in 1904. Wegmen then spent several years in the Chicago office of Daniel H. Burnham & Co., a leading figure of American architecture. He appears to have also worked there under his own name, and is credited with the design of the Newbury Building, South Wabash Avenue at East Ninth Street in Chicago, in 1896. In 1905 he was invited to join the Toronto firm of Darling & Pearson, and worked there until his death in 1931, becoming a partner in 1924. He worked on the Sun Life Building in Montreal, the North Toronto Station at Yonge and Summerhill, and the 1925 expansion of the Art Gallery of Toronto. He spoke at least four languages fluently and traveled widely, collecting photographs and drawings of architectural details. In 1911 he joined the Arts and Letters Club and lunched there regularly. In 1912 he was Chairman of the Toronto Chapter of the Ontario Association of Architects and he was elected a Fellow of the Royal Architectural Institute of Canada shortly before his death.

    Historial de custodia

    The drawings were likely acquired with a gift of architectural books by George Curry in 1936-1937. There is no specific mention of the drawings in the accession record.

    Alcance y contenido

    The collection consists of 45 architectural drawings in ink and wash, comprising elevations and details of major Italian and German churches, probably drawn as student projects.

    Área de notas

    Condiciones físicas

    Origen del ingreso

    Source of acquisition is uncertain.

    Arreglo

    Idioma del material

      Escritura del material

        Ubicación de los originales

        Disponibilidad de otros formatos

        Restricciones de acceso

        Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.

        Condiciones de uso, reproducción, y publicación

        Material in this collection is in the public domain. Permission of the Art Gallery of Ontario is required for publication.

        Instrumentos de descripción

        A finding aid is available for this collection.

        Materiales asociados

        The institutional files of the Art Gallery of Ontario contain blueprints of the 1925 expansion for the Art Gallery of Toronto, signed by Jules Wegman. See the library staff for more information.

        Materiales relacionados

        Acumulaciones

        No further accruals are expected.

        Nota general

        Drawings are labelled in German.

        Nota general

        The collection has been arranged by the archivist in one series, chronologically, with undated drawings at the end. The drawings were titled and dated by the artist.

        Identificador/es alternativo(os)

        Número estándar

        Número estándar

        Puntos de acceso

        Puntos de acceso por materia

        Puntos de acceso por lugar

        Puntos de acceso por autoridad

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        Área de control

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            Fuentes

            Área de Ingreso