Fonds SC107 - Jules Wegman collection

Zone du titre et de la mention de responsabilité

Titre propre

Jules Wegman collection

Dénomination générale des documents

    Titre parallèle

    Compléments du titre

    Mentions de responsabilité du titre

    Notes du titre

    Niveau de description

    Fonds

    Cote

    CA ON00012 SC107

    Zone de l'édition

    Mention d'édition

    Mentions de responsabilité relatives à l'édition

    Zone des précisions relatives à la catégorie de documents

    Mention d'échelle (cartographique)

    Mention de projection (cartographique)

    Mention des coordonnées (cartographiques)

    Mention d'échelle (architecturale)

    Juridiction responsable et dénomination (philatélique)

    Zone des dates de production

    Date(s)

    • 1865-1867 (Production)

    Zone de description matérielle

    Description matérielle

    45 drawings on paper

    Zone de la collection

    Titre propre de la collection

    Titres parallèles de la collection

    Compléments du titre de la collection

    Mention de responsabilité relative à la collection

    Numérotation à l'intérieur de la collection

    Note sur la collection

    Zone de la description archivistique

    Nom du producteur

    (1865 - 1931)

    Notice biographique

    Jules Frederic Wegman was born in Neuchatel, Switzerland on 14 July 1865 and received his early education there. He came to the United States with his father Julius, also an architect, at the age of ten years and trained with him. At one point he was sent to Jerusalem to measure the city and its buildings, and his drawings were used to reproduce the city at the Worlds’ Fair at St. Louis in 1904. Wegmen then spent several years in the Chicago office of Daniel H. Burnham & Co., a leading figure of American architecture. He appears to have also worked there under his own name, and is credited with the design of the Newbury Building, South Wabash Avenue at East Ninth Street in Chicago, in 1896. In 1905 he was invited to join the Toronto firm of Darling & Pearson, and worked there until his death in 1931, becoming a partner in 1924. He worked on the Sun Life Building in Montreal, the North Toronto Station at Yonge and Summerhill, and the 1925 expansion of the Art Gallery of Toronto. He spoke at least four languages fluently and traveled widely, collecting photographs and drawings of architectural details. In 1911 he joined the Arts and Letters Club and lunched there regularly. In 1912 he was Chairman of the Toronto Chapter of the Ontario Association of Architects and he was elected a Fellow of the Royal Architectural Institute of Canada shortly before his death.

    Historique de la conservation

    The drawings were likely acquired with a gift of architectural books by George Curry in 1936-1937. There is no specific mention of the drawings in the accession record.

    Portée et contenu

    The collection consists of 45 architectural drawings in ink and wash, comprising elevations and details of major Italian and German churches, probably drawn as student projects.

    Zone des notes

    État de conservation

    Source immédiate d'acquisition

    Source of acquisition is uncertain.

    Classement

    Langue des documents

      Écriture des documents

        Localisation des originaux

        Disponibilité d'autres formats

        Restrictions d'accès

        Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.

        Délais d'utilisation, de reproduction et de publication

        Material in this collection is in the public domain. Permission of the Art Gallery of Ontario is required for publication.

        Instruments de recherche

        A finding aid is available for this collection.

        Éléments associés

        The institutional files of the Art Gallery of Ontario contain blueprints of the 1925 expansion for the Art Gallery of Toronto, signed by Jules Wegman. See the library staff for more information.

        Éléments associés

        Accroissements

        No further accruals are expected.

        Note générale

        Drawings are labelled in German.

        Note générale

        The collection has been arranged by the archivist in one series, chronologically, with undated drawings at the end. The drawings were titled and dated by the artist.

        Identifiant(s) alternatif(s)

        Numéro normalisé

        Numéro normalisé

        Mots-clés

        Mots-clés - Sujets

        Mots-clés - Lieux

        Mots-clés - Noms

        Mots-clés - Genre

        Zone du contrôle

        Identifiant de la description du document

        Identifiant du service d'archives

        Règles ou conventions

        Statut

        Niveau de détail

        Dates de production, de révision et de suppression

        Langue de la description

          Langage d'écriture de la description

            Sources

            Zone des entrées